Gonna go all WFMU on the blog this week and hit you with some tunes that can only be termed: instrumental exotica.
But first, some of you want to know what's going on with the Ira/new slice contest. The man himself assures me that there's still time to get yer choices in – just click on ol' Feter Shmuel on the right, there, and then scroll down to leave your musical selection in the comments. No idea what he thinks about your groovy selections, but the KassaNostra is very pleased with the options. Regardless of how the slice turns out, I think a fan appreciation post is in order. Maybe before we take our annual summer hiatus.

Elmer Snowden: Twelfth Street Rag

Now, surf-rock is one of those genres wherein literally any song can be covered in the vernacular of frenetic guitar chords, and Terauchi's impressive oeuvre does not disappoint in this regard. And yet, I was shocked – nay, gobsmacked – to find a copy of Dona Dona on one of his albums from 1966. I mean, I've seen Dona Dona covers before, but always on albums like this. Or this. How the hell did a Yiddishkeit folksong find its way to Japan? (As with most things, I find it easy to blame the hippies.)
I have to admit, before I heard Terauchi's take, I got inappropriately excited that he was gonna positively shred this sucker. Sad to say, it's pretty much a straight cover, as respectfully mournful as a surf-guitar cover of anything can be. I get the feeling, though, that Terauchi wasn't entirely sure how to tackle this, because he throws the kitchen sink at it: flamenco guitar riffs, circus organ, every bell and (literally) whistle imaginable. It's no masterpiece, but a fine cut nonetheless.
Takeshi Terauchi & His Blue Jeans: Dona Dona

Irving Fields Trio: The Green Cousin-Merengue

Moses Dillard & The Tex-Town Displays: Matchmaker
Next time: lyrics! (Maybe.) Meanwhile, keep those slice suggestions coming.
Peace & Vinyl,
The KassaNostra